Paintings for the Big 100 Show

Persimmons

Spock and the Pear

Willamette Memory

I’m one of 100 artists participating in an extavaganza this December. Each of us are painting 20 small paintings (8ish x 8ish). Everything sells for $30, one night only, cash and carry. Will be a blast – many emerging artists, proletariat artists, artists like me who enjoy a challenge and chance to stretch, and more. If you go you are absolutely sure to find some gems. I’m posting a few of my favs. All in oil. Click here for more info

Painting on the river

Flat Light Willamette

Painting below OMSI – right on the Willamette river bank, rocky and hidden. I experienced the rising river tide, and I lost a friend who crashed on the rocks. My 1/2 size french easel broke when the wind coupled with pansy hardware dashed it onto the ground, breaking the wood. The angel of Craigslist heard my cry, and nudged a NE painter to sell the old french easel sitting forlorn in the basement. I am sincerly digging my new easel and am enamored with its much better hardware and voluminous storage.

This is 16″x20″ which is a great size to paint outside on. Three painting sessions (the last with the new easel). When the sun was out, the reflections/colors were more varied, contrasted and colorful – but I finished in a flat light. Found another view, of the bottom of the Marquam bridge that I’ll return to paint soon. A bit challenging staying warm. Painted on primed hemp.

Fate intervenes…

November Downtown

I began a painting along the Willamette river yesterday. The day was overcast, but not raining – and occasional peaks of sun. I headed home with a painting that was unresolved, wondering when I’d be able to go back. The one nice day remaining in the week (today) was filled with various obligations. Luckily, the delivery people were not only late, late, they were good enough to let me know ahead of time! A window of 3 hours suddenly appeared, and I got my ass moving, knowing I would really really regret not being out in this glorious weather. Those of you trying to balance family life and, well, anything I guess, will be able to relate. It was good to be painting (more like constructing) downtown buildings. The water was a great challenge (paint the water without painting the water! In other words, don’t think “water” just look for colors and shapes, a cool mental exercise). I’m feeling okay about this one – mosly glad I made it back – and finally got my funky person down to the river to paint! Oh, I also used a pretty limited palette – white, ultramarine blue, cobalt turqoise, sap green, quin red, transparent red earth and indian yellow. I paint with Gamblin (Graham ultramarine).

Oily

Back to painting. Will swing back and forth between plein air and etching over the next few months. A gorgeous, sunny day today. Finally back painting in Ladd’s Addition. Posting 3 latest paintings. First is a memory of all of the yellowness – especially the way I feel walking under a yellow tree, with yellow leaves coating the ground. Painted on an old painting from the spring. The next is a Sauvie Island painting. Intermittent sun meant that this one didn’t quite come together – I had planned to return, but there was no time/sun – so it stays. I did like the way I was beginning to capture some of the colors. And last, today’s painting from Ladd’s Addition. Mostly sunny, and the thick colors toward the end were quite fun to lay on.

Ostalgie continues, experiments with family

I’ve continued working with the “Ostalgie” plates. Another Ostalgie print (the fourth). I’m also hoping to bring some of this color/multi-plate technique into my images. I experimented a bit with the “Family” plate I’ve shown here.

Ostalgie no 4

Memory Fade

Memory Stick

Incident at the Beach – editioned!

Incident at the Beach has joined the ranks of the editioned. Wahoo! Thinking a small edition of 10. I also pulled a monoprint from it – it may go into the “Creep Show” at the Night Light Lounge. Yes, I was asked to show some prints because they are rather creepy. And, I was able to bring this plate to a close thanks to my new best friend, ZAcryl hard ground and an airbrush. I’ve also attached a pic of the Family monoprint I’ve entered in the Family Show at Launchpad Gallery.

Incident at the Beach

Irksome Fellow

Family no.3

Ostalgie continues…

After printing Ostalgie 1, I thought I’d like to try something similar but without the chine colle. So I aquatinted similar shapes on a plate, and printed with that. That layer wasn’t dark enough, so I ran it through again, but messed up the registration (this was after about 9 previous layers of stripes, text, ovals, more stripes…). But, I liked the way the overlap looked, so I made a second oval plate that overlapped the ovals (are you still with me?). Anyway, I’ve continued playing with these – takes at least 2 hours to print each. And I’m not sure about the black ovals. Learning a heck of a lot about color and etching. Having a really, really good time. Also played with layering strips on the Family etching with oil paint (on sealed print).

Color etching, “Ostalgie 2)

Ostalgie 3

Ostalgie

For much of this year, I’ve been thinking about, sketching about, Nostalgia. Stripes, layers of thought, memory, obscuring and revealing shapes, the colors brown, pink, light blue and yellow – these are all elements of my personal looking back, nostalgia, memory thing. I’ve been investigating different printmaking methods to give body to these feelings/ideas.
I just came across the word Ostalgie – and I’ve chosen it for the title of the print I made today. I had extended studio time, and after I completed the steps I set out to, I wasn’t thrilled with the print. So, I kept working, continuing to add layers of color. This print involves 4 different plates, 3 of them used 2-3 times, and chine colle. Crazy! Maybe 3 hours? 4 hours? (Of course, this is just to print one). A few issues with the chine colle. I printed on top of it (after running it through the press) and the glue I’m using (wheat starch) comes undone when it is re-moistened. Thinking I’ll try a different one next time. Cool to begin to use layered color – works quite well with this style of etching.

Multi plate etching, Nostalgia series

Bedtime Seahorse and work on Incident

I’m happy to report that I can now, easily, obtain a rich black aquatint in one go using ZAcryl airbrushed hardground! Yes! Previously, I was having a hell of a time with shaken rosin aquatints. They didn’t hold up well, and for whatever reason, they were highly inconsistent. We don’t have a rosin box at the studio, and honestly, I don’t want to be breathing in the inevitable dust, so I am thrilled to have a benign way to apply aquatints! I may do more with this plate – but this small edition (maybe 5?) represents my initial desire to make an inky ocean scene. Also posted, is the current state of Incident at the Beach. Its the closest thing I have to a political piece. It might be getting close.

Bedtime Seahorse

Incident at the Beach, early state

Mt Tabor Paint Out pics

I just realized I never got around to posting pics from the paint-out/exhibit. It was a great success and an overall good time. Great match for the event. However, this event did leave me more confused about just what direction I’m going in. Momentarily I envisioned myself organizing paint-out events all over the Northwest. Then, printmaking beckoned, and just as I felt myself re-entering the plein air world, whooosh, I’m back at Bite Studio printing a plate called “Bananahead”.

Mt Tabor Paint-Out Exhibit

Exhibit Tents